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    History of Henna

    The history and origin of Henna is hard to trace with centuries of migration and cultural interaction it is difficult to determine where particular traditions began. There is very persuasive evidence that the Neolithic people in Catal Huyuk, in the 7th millennium BC, used henna to ornament their hands in connection with their fertility goddess.

    The earliest civilizations to have used henna include the Babylonians, Assyrians, Sumerians, Semites, Ugaritics and Canaanites. The earliest written evidence that mentions henna specifically used as an adornment for a bride or woman’s special occasion is in the Ugaritic legend of Baal and Anath, inscribed on a tablet dating back to 2100 BC, found in northwest Syria. Henna has also been used extensively in southern China and has been associated with erotic rituals for at least three thousand years, during the ancient Goddess cultures.

    The use of Henna in the 4th-5th centuries in the Deccan of western India is clearly illustrated on Bodhisattvas and deities of cave wall murals at Ajanta, and in similar cave paintings in Sri Lanka. The evidence proves henna usage in India seven centuries before the Moghul invasion, and hundreds of years before the inception of the Islamic religion, which began in the mid-7th century AD.

    The word Henna has its origin in the Arabic word Al-Hinna. In botanical terms it is Lawsonia Enermis, a plant which grows to be 4 to 8 feet high in hot climates and can be found in Iran, Pakistan, Syria, Persia, Morocco, Palestine, Yemen, Egypt, Uganda, Tanzania, Afghanistan, Senegal, Kenya, Ethiopia, Eritrea, and India. The leaves, flowers and the twigs of the plant are ground into fine powder containing natural dying properties called tannins; the powder is then mixed with hot water.

    Various shades are procured by mixing henna with the leaves and fruit of other plants, such as indigo, tea, coffee, cloves and lemon. The resulting paste is often used as a hair dye. During hot weather, henna acts as a cooling agent when applied to the palms of the hands and the bottoms of the feet. When used in decorative body art, sugar and oil are also added to the mixture to strengthen the color and longevity of design.

    While henna is known by many names including Henne, Al-Khanna, Jamaica Mignonette, Egyptian Privet and Smooth Lawsonia, the art of its application is referred to as Henna (Arabic) or Mendhi (Hindu).

    Centuries of migration and cultural interaction make the task of determining henna’s exact origin a complex one. However, historians argue that henna has been used for at least 5,000 years in both cosmetic and healing capacities.

    Some researches argue henna originated in ancient India while others claim it was brought to India by Egyptian moghuls in the 12th century C.E. Still others will contend that the tradition of applying henna to the body began in the Middle East and North Africa in ancient times.

    Archaeological research indicates henna was used in ancient Egypt to stain the fingers and toes of Pharaohs prior to mummification. But research also argues the Pharaohs were not the only Egyptians to use henna. Ancient Egyptians and many indigenous and aboriginal people around the world believed that the naturally derived red substances of ochre, blood and henna had qualities that improved human awareness of the earth’s energies. It was therefore applied to help people keep in touch with their spirituality.
    Ani, a mummified scribe (1400BC), had fingernails stained with henna. There are also several medieval paintings depicting The Queen of Sheba decorated with henna on her journey to meet Solomon.

    Ancient and Traditional, Henna has been used for centuries for body decoration. Ancient Egyptians used henna prior to mummification. People all over the world continue to use henna, primarily for cosmetic purposes. However, in countries where henna is rooted in historical tradition, members of the working class more commonly apply henna for medicinal and healing purposes, as well as connection to Spirit.

    In Cairo, Egypt, for example, many working class citizens had their hands and feet dipped in henna to produce a solid covering, which differs from the common decorative design that is usually applied for weddings and other celebrations.

    As a healing plant, henna conditions, cleanses, colors and cools the skin. When applied to hair, it has the same effect. Millions of Asian and African people regularly apply henna to their hair. In these regions, henna is inexpensive, readily available, and helps to cool the scalp in the hot summer months.

    Throughout time henna has been associated with special celebrations. Betrothals, weddings, the eighth month of pregnancy, the birth, the 40th day after a woman gives birth, naming ceremonies, etc, are all events celebrated with henna. Eids, and other religious holidays are also occasions to be hennaed. There are also some healing ceremonies, like the Zar in North Africa, which include its use. A common practice seen in India and in the Islamic world is the pre-wedding tradition of ‘Night of Henna’ parties, like the Sudanese one described earlier.

    The art form of henna decorating has been practiced in Northern Africa, the Middle East, Southern Asia, and Europe and has been used by Hindus, Sikhs, Jews, Moslems, Christians, Pagans, and others; and varies from region to region. Varying designs have a different meaning for members of each culture, such as good health, fertility, wisdom, protection and spiritual enlightenment. The most popular traditional use is tied closely with weddings and bridal preparation; these designs tend to be the most ornate, covering the most area. Depending on the culture, men may use it as well as women, usually for more symbolic purposes; masculine designs are generally very basic, simple and small in design.

    Arabic henna designs are abstract and less dense with designs featuring graceful, usually large, Floral and vine patterns on the hands and feet.

    Indian mehndi involves fine, thin lines for lacy, floral, paisley patterns with lines and dots; dense patterns covering entire hands, forearms, feet and shins.

    African henna patterns, usually simple, bold, large geometric shapes and designs with abstract symbols.

    Henna today, in non-traditional American & European pop-culture, is practiced by men and women alike. Mainstream America remains fascinated with body adornment and beauty practices from other cultures.

    Non-traditional design tends to be a mix of all of the above and is more personalized per individual. One might like a particular portion of an Indian design and want infused a symbol meaningful to him or her. There are also picture symbols (as in astrological & mythical & Native American, etc.), religious or spiritual symbols (pentagrams, crosses, ankhs, Om’s, etc.), or script/writing from other cultures (runes, Chinese characters, Arabic, Tibetan or Sanskrit, etc.). Others choose designs purely for aesthetic purposes, like trailing vines or filigree patterns. The potential variety in design is practically limitless.

    Henna decorating will survive in traditional uses within specific ethnic cultures and within various communities in the United States. The richly beautiful art of henna knows no boundaries in culture, ethnicity, gender, religious or spiritual beliefs. In its many forms, henna decorating is truly a gift of beauty, touch and trust.